A poem consisting of fourteen lines is

The attitude of a writer towards the subject matter is the

The pattern of end rhymes in a poem is called

The most exciting and tense part of a story is the

Lines of unrhymed poetry are known as

A dramatic performance with only bodily movements and without words is

''Mathematics is my Achilles' heel'' is an example of

A short poem lamenting the death of someone is a

In a story, the adversary of the protagonist is the

''Tell me not, sweet, I am unkind'' illustrates

The art of giving human attributes to non-human objects is

A long narrative poem which deals with heroic deeds is

A poem of four lines is called

A literary piece used to mock of ridicule a society or practice is called

The story of a person's life written by another is

A folktale is a

A poem written in an elaborate style to address or celebrate an object or event is called

Read the extract and answer the question

I have to thank God I'm a woman,
For in these ordered days a woman only
Is free to be very hungry, very lonely.


The dominant device in the above lines is

Read the extract and answer the question

I have to thank God I'm a woman,
For in these ordered days a woman only
Is free to be very hungry, very lonely.


The tone of the poem is one of

UNSEEN PROSE AND POETRY

Read the passage and answer the question

''Diversion through Larteh!'' This is the sign in the middle of the road. They have diverted the 24 - Kilometre Mamfe-Aburi-Adenta Road because of the major read works. The Mamfe-Larteh-Adenta diversion makes the journey twice as long. The longer route is the shorter.
\The little jeep flashes past the deserted police checkpoint. The howling wind, like a stretching comb, stretches Kwyeiwa's hair in flapping furrows behind her as she stands clinging to metal support in the back of the open jeep, petrified. The jeep negotiates the hairpin bend below the overhang near Tamara's place at breakneck speed; now it is on the stretch to the Kodiable junction. The little vehicle laps up the distance. Presently the travellers arrive at the last crossroads. Kodiabe lies as the crow flies, Somanya to the left. The jeep turns right towards Accra.

Kyeiwa is

UNSEEN PROSE AND POETRY

Read the passage and answer the question

''Diversion through Larteh!'' This is the sign in the middle of the road. They have diverted the 24 - Kilometre Mamfe-Aburi-Adenta Road because of the major read works. The Mamfe-Larteh-Adenta diversion makes the journey twice as long. The longer route is the shorter.
\The little jeep flashes past the deserted police checkpoint. The howling wind, like a stretching comb, stretches Kwyeiwa's hair in flapping furrows behind her as she stands clinging to metal support in the back of the open jeep, petrified. The jeep negotiates the hairpin bend below the overhang near Tamara's place at breakneck speed; now it is on the stretch to the Kodiable junction. The little vehicle laps up the distance. Presently the travellers arrive at the last crossroads. Kodiabe lies as the crow flies, Somanya to the left. The jeep turns right towards Accra.

The narrative technique is

UNSEEN PROSE AND POETRY

Read the passage and answer the question

''Diversion through Larteh!'' This is the sign in the middle of the road. They have diverted the 24 - Kilometre Mamfe-Aburi-Adenta Road because of the major read works. The Mamfe-Larteh-Adenta diversion makes the journey twice as long. The longer route is the shorter.
\The little jeep flashes past the deserted police checkpoint. The howling wind, like a stretching comb, stretches Kwyeiwa's hair in flapping furrows behind her as she stands clinging to metal support in the back of the open jeep, petrified. The jeep negotiates the hairpin bend below the overhang near Tamara's place at breakneck speed; now it is on the stretch to the Kodiable junction. The little vehicle laps up the distance. Presently the travellers arrive at the last crossroads. Kodiabe lies as the crow flies, Somanya to the left. The jeep turns right towards Accra.

The passage is

UNSEEN PROSE AND POETRY

Read the passage and answer the question

''Diversion through Larteh!'' This is the sign in the middle of the road. They have diverted the 24 - Kilometre Mamfe-Aburi-Adenta Road because of the major read works. The Mamfe-Larteh-Adenta diversion makes the journey twice as long. The longer route is the shorter.
\The little jeep flashes past the deserted police checkpoint. The howling wind, like a stretching comb, stretches Kwyeiwa's hair in flapping furrows behind her as she stands clinging to metal support in the back of the open jeep, petrified. The jeep negotiates the hairpin bend below the overhang near Tamara's place at breakneck speed; now it is on the stretch to the Kodiable junction. The little vehicle laps up the distance. Presently the travellers arrive at the last crossroads. Kodiabe lies as the crow flies, Somanya to the left. The jeep turns right towards Accra.

The atmosphere in the passage is one of

UNSEEN PROSE AND POETRY

Read the passage and answer the question

''Diversion through Larteh!'' This is the sign in the middle of the road. They have diverted the 24 - Kilometre Mamfe-Aburi-Adenta Road because of the major read works. The Mamfe-Larteh-Adenta diversion makes the journey twice as long. The longer route is the shorter.
\The little jeep flashes past the deserted police checkpoint. The howling wind, like a stretching comb, stretches Kwyeiwa's hair in flapping furrows behind her as she stands clinging to metal support in the back of the open jeep, petrified. The jeep negotiates the hairpin bend below the overhang near Tamara's place at breakneck speed; now it is on the stretch to the Kodiable junction. The little vehicle laps up the distance. Presently the travellers arrive at the last crossroads. Kodiabe lies as the crow flies, Somanya to the left. The jeep turns right towards Accra.

''The little vehicle laps up the distance'' conveys the impression of

Read the poem and answer the question

In front of the gate, the guard stands with his rifle,
Above, untidy clouds are carrying away the moon,
The bedbugs are swarming around like army tanks on manoeuvers
While the mosquitoes form squadrons, attacking like fighter planes.
My heart travels a thousand miles towards my native land.
My dream interwines with sadness like a stein of a thousand threads,

Innocent, I have endured a whole year in prison
Using my tears for ink, I turn my thoughts into verses.

The poem is about

Read the poem and answer the question

In front of the gate, the guard stands with his rifle,
Above, untidy clouds are carrying away the moon,
The bedbugs are swarming around like army tanks on manoeuvers
While the mosquitoes form squadrons, attacking like fighter planes.
My heart travels a thousand miles towards my native land.
My dream interwines with sadness like a stein of a thousand threads,

Innocent, I have endured a whole year in prison
Using my tears for ink, I turn my thoughts into verses.

The imagery in the first four lines is predominantly

''....a thousand miles'' is an example of

Read the poem and answer the question

In front of the gate, the guard stands with his rifle,
Above, untidy clouds are carrying away the moon,
The bedbugs are swarming around like army tanks on manoeuvers
While the mosquitoes form squadrons, attacking like fighter planes.
My heart travels a thousand miles towards my native land.
My dream interwines with sadness like a stein of a thousand threads,

Innocent, I have endured a whole year in prison
Using my tears for ink, I turn my thoughts into verses.

The poem is written in

Read the poem and answer the question

In front of the gate, the guard stands with his rifle,
Above, untidy clouds are carrying away the moon,
The bedbugs are swarming around like army tanks on manoeuvers
While the mosquitoes form squadrons, attacking like fighter planes.
My heart travels a thousand miles towards my native land.
My dream interwines with sadness like a stein of a thousand threads,

Innocent, I have endured a whole year in prison
Using my tears for ink, I turn my thoughts into verses.

The impression created of the persona is one of

WILLIAM SHAKESPEARE: Hamlet

Read the extract and answer the question

Think it no more:
For nature, crescent, does not grow alone
In thews and bulk, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now.
And now no soil or cantle doth besmirch
The virtue of his will
(Act One, Scene 111, Lines 10 - 16)

The speaker is

WILLIAM SHAKESPEARE: Hamlet

Read the extract and answer the question

Think it no more:
For nature, crescent, does not grow alone
In thews and bulk, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now.
And now no soil or cantle doth besmirch
The virtue of his will
(Act One, Scene 111, Lines 10 - 16)

A character being addressed is

WILLIAM SHAKESPEARE: Hamlet

Read the extract and answer the question

Think it no more:
For nature, crescent, does not grow alone
In thews and bulk, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now.
And now no soil or cantle doth besmirch
The virtue of his will
(Act One, Scene 111, Lines 10 - 16)

The subject of discussion is

WILLIAM SHAKESPEARE: Hamlet

Read the extract and answer the question

Think it no more:
For nature, crescent, does not grow alone
In thews and bulk, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now.
And now no soil or cantle doth besmirch
The virtue of his will
(Act One, Scene 111, Lines 10 - 16)

The speaker is

WILLIAM SHAKESPEARE: Hamlet

Read the extract and answer the question

Think it no more:
For nature, crescent, does not grow alone
In thews and bulk, as this temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now.
And now no soil or cantle doth besmirch
The virtue of his will
(Act One, Scene 111, Lines 10 - 16)

Thews and bulk means

Read the extract and answer the question

X : Tis gone will not answer.
Y : How now....! You tremble and look pale;
Is not this something more than fantasy?
What think you on't?

Z : Before my God. I might not this believe
Without the sensible and true avouch
Of mine own eyes.
(Act One, Scene I, lines 52-58)

Speaker X is

Read the extract and answer the question

X : Tis gone will not answer.
Y : How now....! You tremble and look pale;
Is not this something more than fantasy?
What think you on't?

Z : Before my God. I might not this believe
Without the sensible and true avouch
Of mine own eyes.
(Act One, Scene I, lines 52-58)

The setting is

Read the extract and answer the question

X : Tis gone will not answer.
Y : How now....! You tremble and look pale;
Is not this something more than fantasy?
What think you on't?

Z : Before my God. I might not this believe
Without the sensible and true avouch
Of mine own eyes.
(Act One, Scene I, lines 52-58)

The atmosphere is

Read the extract and answer the question

X : Tis gone will not answer.
Y : How now....! You tremble and look pale;
Is not this something more than fantasy?
What think you on't?

Z : Before my God. I might not this believe
Without the sensible and true avouch
Of mine own eyes.
(Act One, Scene I, lines 52-58)

Tis gone and will not answer refers to the

Read the extract and answer the question

X : Tis gone will not answer.
Y : How now....! You tremble and look pale;
Is not this something more than fantasy?
What think you on't?

Z : Before my God. I might not this believe
Without the sensible and true avouch
Of mine own eyes.
(Act One, Scene I, lines 52-58)

Speaker Y is

Read the extract and answer the question

And for your part,..., I do wish
That your good beauties be the happy cause
Of ...wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours,
(Act Three, Scene I, lines 37-42)

The speaker is

Read the extract and answer the question

And for your part,..., I do wish
That your good beauties be the happy cause
Of ...wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours,
(Act Three, Scene I, lines 37-42)

After this speech, the speaker

Read the extract and answer the question

And for your part,..., I do wish
That your good beauties be the happy cause
Of ...wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours,
(Act Three, Scene I, lines 37-42)

The character being addressed is

Read the extract and answer the question

And for your part,..., I do wish
That your good beauties be the happy cause
Of ...wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours,
(Act Three, Scene I, lines 37-42)

Another character present on the scene is

Read the extract and answer the question

And for your part,..., I do wish
That your good beauties be the happy cause
Of ...wildness: so shall I hope your virtues
Will bring him to his wonted way again,
To both your honours,
(Act Three, Scene I, lines 37-42)

The wildness referred to can also be called

Read the extract and answer the question

H : Where is this sight?

l : What is it ye would see?
If aught of woe or wonder, cease your search
(Act Five, Scene 11,lines 348-350)

Speaker H is